Summer Surprise #2: The Rook revealed

It has been a busy summer for Fincham Press.  Following our creative writing anthology cover reveal, we are delighted to share our second summer surprise. Here we reveal details of The Rook: Citizens of Nowhere.

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Front cover of The Rook: artwork and design by Rudolf Ammann

The anthology is a collection of gripping journalism from current and former students of the University of Roehampton. The pieces gathered here tell true tales from every corner of the globe, from Havana to Russia. Within its pages, readers will discover the unique experiences of young citizens and what it means to be a citizen of Nowhere. Check out the contents below.

The collection is edited by John Doyle and Juan Pérez González and will be available to purchase soon. Follow Fincham Press on Facebook, Twitter, and Instagram to find out more.

Contents

Foreword

1

Introduction

3

Citizens of Nowhere

Juan Pérez González · The European

7

Aleksandra Antonova · A July Morning in Bulgaria

13

Isabelle Kern · My Russian Friends

21

Isobel Rafferty · Lost on a Stranded Land

27

Vilde Haugen · Dreamland Beach

33

Ellis King · Mallorca, Martina and Me

39

Josh Downes · Bulls and Blood

45

Stephanie Badaru, Federica Infantino and Isobel Rafferty

Going Country, Going Undetected

51

Barbora Palovcikova · The Sounds of Camden Market

59

Conor Young · North of the Heart of Babylon

65

John Doyle · Citizens of the Sea: A Reawakening

75

Notes on Contributors

87

Summer Surprise #1: Cover reveal for our fifth creative writing anthology

Following an especially busy period for Fincham Press, we are excited to share the first of two surprises this summer. Here we reveal details of our fifth anthology of creative writing: In Which Dragons Are Real But.

Book cover: artwork and design by Rudolf Ammann
Front cover of our fifth creative writing anthology: artwork and design by Rudolf Ammann

This fifth anniversary publication marks the occasion with two firsts in Fincham’s history. This collection is the first to include work by University of Roehampton alumni alongside that by current Creative Writing students. It is also the first time we have published original illustrations in full colour. Different forms are showcased in 47 pieces; often dark in theme, but also funny and thought-provoking.

Check out a sneak peek of the cover (above) and the table of contents (below)! The collection is edited by award-winning author Leone Ross. An official launch will take place at the University of Roehampton in late 2018 – follow Fincham Press on Facebook, Twitter, and Instagram for further details.

Contents

Foreword

1

Introduction

3

Short Stories

Sarah Tucker · Exit Stage Right

7

Charlotte Byrne · Georgy Girl

15

Steph Elliot Vickers · White Walls

21

Nanou Blair-Gould · Innocuous Disposition

29

Katharine Cheetham · Bruises

33

Andrew D’Arcy Collins

So I Finally Rescued My Piano

39

Ellenor Pickles · Daisy Girl

45

Molly Glinski · Transcript: Interview Room 2

49

Jacob Bathgate · Fossils

55

Melissa Healey-Mullee · 99 In The Rain

59

Stiina Honkavaara · A Taste of God

65

Veslemøy Stavdahl · White Bird

73

Hanna Andersson · Compost

79

Yen-Yen Lu · Friends

85

Serena Michel

Ojos Que No Ven, Corazón No Siente

93

Glenn Shadbolt · The Happening Now

101

Frederik Helgesen ·Thank You, Mr Lighthouse

111

Flash Fiction

Arun Jeetoo · The Exhibition of Margo

117

Thomas Cole · Fake Updates

119

Mehmet Suleyman · And Now You Know Her

121

Charlie-Anne Butterworth

Nuclear

123

Palace of the Babies

124

Liz McAnder · Fatigue

126

Jess Styles · Freaks Anonymous

129

Georgina Charles

Yujin

132

Yujin’s Mother

134

Poetry

Sean Wai Keung

the spring bamboo

139

the new golden phoenix

140

Bronia Waldron · For Simon & Garfunkel

141

Natalie Howard · Make Me a Sandwich

143

Emma Strand · Bye-Bye Bluebird

145

Jacqueline Robinson · Cake Making

147

Kristina Kjønigsen · Hush, Little Baby

155

Anne Malewski

january

157

1920s charleston

158

Tess O’Hara · To Slinky Duvet Days

159

Milanta Petkauskaite · Collage One

161

Haley Jenkins ·Greyscale

162

Megan Lewis · Some of Myself

163

Screenplays

Rosie King · A Picture of You

169

Jack Purkis · Audition #34

179

Nadia Elaissaoui · Eager for Eden

193

Creative Nonfiction

Cameron Turner · Those Aren’t Fireworks

205

Matthew Delicate · Etcetera

206

Max Blindell · Rules

209

Oana Liana Martisca · The City Between the Rivers

210

Lisa Gaultier · In Which Dragons Are Real But

219

 

Notes on Contributors

221

Issue 2 of The International Journal of James Bond Studies – now available

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The International Journal of James Bond Studies logo designed by Rudolf Ammann

The Spring 2018 issue of The International Journal of James Bond Studies is now available online. This issue of the open-access research journal features articles and reviews on all things 007, including an exploration of the geopolitical function of Bond’s train journeys, the relationship between Bond and pirate culture, and the franchise’s use of extreme sports.

 

Journal editor Dr Ian Kinane says: ‘We’re delighted to publish our second issue of the journal with Fincham Press and to further develop research in the field of James Bond Studies. Within the Department of English and Creative Writing at the University of Roehampton, The International Journal of James Bond Studies continues to enhance our provision of research and teaching in popular literature and culture.’

The journal welcomes submissions on any aspect of the James Bond franchise. Submissions for the second volume are now open!

Don’t forget to interact with the journal on its official Facebook page and Twitter

Fincham Press titles now available at The Hive!

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Fincham Press at The Hive: poster by Rudolf Ammann

We are pleased to officially announce that you can now buy Fincham Press titles at The Hive Café! The Hive Café is run by RSU and is situated in the heart of Digby Stuart College at the University of Roehampton.

The café serves fair trade coffee and food, as well as food grown on-campus through the Growhampton scheme. Fincham Press contributor and Hive employee Brad Cohen said that ‘the Hive Café is excited to support the local authors of Roehampton through stocking the Fincham Press anthologies. If you, like us, prefer your coffee with a side of literature, then come and pick up a copy.’

In short, The Hive is an ideal place to check out the entire Fincham Press catalogue!

 

Anthology #5: Call for submissions (Roehampton alumni only)

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It’s that time of year when Fincham Press start compiling the new anthology of student work. This time, as well as our usual call-out to the present student body we are seeking submissions from University of Roehampton alumni to celebrate our fifth year as a press. We will accept most forms including flash fiction, novel extracts, poetry, creative nonfiction, and short screenplays. For examples of our previous collections, please visit our catalogue.

Submission guidelines

This call is open to alumni of the University of Roehampton’s Creative Writing programme only. There is no specific theme for this anthology, and we are open to all genres.

Please submit only one piece for our consideration; the exceptions are flash fiction and poetry, where multiple pieces may be submitted but must not exceed the maximum word count as outlined below.

There is no minimum word count, however please bear in mind these maximum word counts for specific forms:

  • Short stories – 2500 words
  • Nonfiction and novel excerpts – 5000 words
  • Flash fiction – multiple stories allowed, but together should be no more than 1000 words in total
  • Screenplays – 15 pages
  • Poetry – 10 pages

All submissions should be double-spaced and set in 12pt Times New Roman or rough equivalent. The title of the work should be set in capital letters; please do not underline the title.

You should include a coversheet with your submission. This must include your name, the year you graduated from Creative Writing at Roehampton, and a contact e-mail and postal address.

All submissions should be sent as word-processed documents (.odt or .docx) with a brief covering email to finchampress@roehampton.ac.uk. If you are submitting concrete poetry or anything experimental in terms of form and layout, please also provide screenshots in addition to the word-processed document.

The deadline for alumni submissions is 10am on Sunday 25 March 2018. Any submissions received after this time will not be considered for publication.

Please do not hesitate to contact our Publishing Assistant Veslemøy Stavdahl if you have any questions.

Thank you, and happy writing!

Get involved – Review The Unseen

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The Unseen cover detail, remixed

As we are all thrust into 2018, so too do we at Fincham find ourselves thrust into production. With our sights set on the upcoming fifth anthology, we are looking for reviewers to give us their verdict on The Unseen following its official launch in December. Your opinions will help us to make this year’s anthology better yet.

Whether you are a literary critic, work for a magazine, or you have a blog, website or even a vlog, we would love to hear from you. If you are interested in reviewing The Unseen, please contact Managing Editor Charlotte Byrne with details of your publication or links to previous reviews. All reviews will receive a special mention on our website and our Facebook and Twitter pages, so this would be a great opportunity to attract new followers.

Of course, you do not need to be an active reviewer to get involved. If you have read The Unseen, you can always leave us a few words about your experience on Amazon or GoodReads. After all, it is the opinions of our readers that we prize most of all.

The gift of insight: Tova Näslund and Charlie-Anne Butterworth

For this holiday period, Selcouth Station have given us the gift of insight. They continue their series on new writers with interviews with two of The Unseen‘s contributors.

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The Unseen cover detail

Tova Näslund is the author of “Month of the Rot”, a novel extract featuring in The Unseen. In her interview, she discusses characterisation, role-playing games, and her creative process.

Charlie-Anne Butterworth’s light SF story “Rachel” is the second piece in the anthology. She discusses genre, being published for the first time, and her current project in her interview.

Don’t forget that you can still join in the conversation on social media – follow us on Facebook, Twitter, and Instagram and share your thoughts with us!

Two days to go: get involved with The Unseen

There are only two days left until the official launch of The Unseen, but there is still time for you to get involved!

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The Unseen launch wayfinder

The conversation is happening on Twitter – get talking about your favourite pieces, authors, and your thoughts about the launch using #unseenlaunch. What are you expecting? Will our authors reveal the unseen? Or will it all remain hidden?

If you have already uncovered the secrets within The Unseen, please feel free to share your feelings by giving us a review on Goodreads or Amazon. Share it with us, and the world!

Finally, do not forget that there is still time for you to register your interest in the launch. You can do this by visiting the event page, or sending an email to charlotte.byrne@roehampton.ac.uk.

We look forward to seeing you there!

Six days to go: interview with Arun Jeetoo

With six days left until the official launch of The Unseen, we are keen to keep you updated with news of our writers.

book cover (detail)
The Unseen book cover (detail)

Selcouth Station have once again tracked one of our authors down to quiz: this time, Arun Jeetoo discusses prose poetry, horror, and creative practice. His piece ‘Birdman’ appears in the anthology.

You will be able to meet our writers as they reveal The Unseen at the launch. In the meantime, why not join the conversation on Twitter using the official hashtag #unseenlaunch, or visit us on Facebook?

The Unseen writers in the news: Bronia Waldron and Haleh Agar

With only a week until the official launch of The Unseen, we are excited to share news about two of the authors featured in the collection.

book cover (detail)
The Unseen book cover (detail)

Bronia Waldron was recently interviewed by Selcouth Station, and discusses her experience of being published for the first time by us, as well as the inspiration for her prose poem ‘My Village’. Read the full interview!

We are also delighted to announce that Haleh Agar, author of several pieces published in The Unseen, has won the Brighton Prize for her flash fiction. Congratulations, Haleh! Check out the complete list of 2017 winners.

There is still time to get involved with The Unseen and to meet our talented authors! Join the conversation on Twitter, and tweet us @finchampress using the official launch hashtag #unseenlaunch.